Here’s a new tune, from the forthcoming EP… more on that later!
Brand new acoustic 3-piece Atlas Bridge
Atlas Bridge came to life in the Sparrow Café in Bradford drawing from their shared love of good tunes, good songs and a willingness to keep the show on the road no matter what. Their name, with its roots from Greek mythology for the Atlantic Ocean or Atlantis Sea, echoes the bridge and deep-rooted musical connections between Irish and other Celtic folk traditions and the Americana/Appalachian music and song that is reflected in their repertoire.
Expect engaging, high energy, lively tune sets interspersed with thought-provoking songs. With a multitude of different instruments between them and a fresh approach to more familiar material as well as vocal variety, there is plenty of interest here!
Becky Taylor: Uilleann pipes, Northumbrian Smallpipes, Whistles, Mandolin and Fiddle.
Madeline Andrew: Vocals, Banjo, Guitar, Bodhran and Whistle.
Steve Lacey: Guitar and Vocals.
For further info contact us here:
Becky email@example.com or
It was great to get out to the Friday evening session at Todmorden Folk Festival which is on all weekend with a host of great acts, performers, musicians and dancers. What a good do!
Delighted to be a part of the ROOTS ALIVE concert on Saturday the 23rd March 2019. An afternoon performance of music with the Arts Live Folk Band following a series of workshops in March 2019 with the Irish Arts Foundation. Also featuring the Leeds Fiddle Folk Group!
When Colin Ross made my Boxwood 17-key chanter he asked me “do you really want a Bb key?” Apparently they are awkward to make and he was concerned that I wouldn’t make best use of it. I insisted that I did, because playing in G minor on the Northumbrian Smallpipes is one of my favourite keys for the instrument. My set is in ‘F’ which means this actually comes out in F minor when it’s played.
The sun is shining, the bees are buzzing (amazingly for February!) and so were the Northumbrian Smallpipes after some rather overdue ‘fettling’.
All piping (Uilleann, Northumbrian or otherwise) involves a certain amount of ‘fettling’ especially when the weather/seasons change, which can play havoc with your tuning if it happens suddenly and catches you unawares. Brass and metal work were polished, bores were oiled, bindings were re-hemped as required, and drone reeds tweaked, flicked and generally faffed with!
A day or two devoted to maintaining them every now and then is well worth the effort – you just have to be in the right mood to tackle the 17-key chanters with the polishing cloth…
Pictured above are my trusty Colin Ross Boxwood and brass 17-Key F set, and Andy May concert G chanter, and a lovely wee 16-Key G set by Dave McQuade in Blackwood and Nickel Silver. Both beautiful, but completely different beasts in tone and character. Dave McQuade taught me to play way back in the early 80’s so I am delighted and honoured to play a set that he has made.
Friday the 8th of Feb saw a guest outing with Des Horsfall’s ‘Rustic Rock and Roll’ band KUSCHTY RYE. Snapped from the audience is this great pic that shows Des in the light and a shady figure playing Ralphie Jordans old MacCann Duet from ‘the dark side’… I think Ralphie would approve…
Here’s a Youtube tribute to Ralph that features the same box (along with many others!). Gone but not forgotten.
All go at BT HQ this week gearing up for a guest gig with the KUSCHTY RYE chaps. You can catch them this week in and around Halifax (and Barnoldswick!) with more in the pipeline somewhat further afield, so catch them
KUSCHTY RYE is DES HORSFALL….. with an array of wonderful guest musicians. This line-up featured the solid backline grooves of Hugh Bradley on Bass and Dylan Pepper on drums, the mighty Chris Preston on Guitars, Jason Offen on Keys, with Becky adding fiddle, mandolin and a sprinkling of low whistle and concertina.
Without Words – F#minor Reel
This works really well on a high D whistle. F# minor is a lovely key for traditional style music.
Delighted to announce that after over a year of not piping I am now officially ‘Back in the Bellows’. The regime of treatment, rest and focusing on other instruments has paid off and I have now regained full movement in piping-critical RH little finger meaning that I can play properly again.
Many thanks to everyone that has supported and helped me through this difficult (if quieter than usual!) time – you know who you are!