Informal workshop and recital with Becky
1pm -2.45pm. Chapel FM, Seacroft, York Road, LS14 6JB
Followed by an Irish Traditional Music Session (all instruments including pipes welcome!) 3pm -4.30pm session The Cricketers Arms, Seacroft Green, Leeds LS14 6JW
Thanks to Les Gillon for this review of our spot up at Wadsworth, 18/10/19
Last night to Wadsworth Community Centre in Old Town to see Gilmore and Roberts, which was a really enjoyable gig, but for me the highlight of the event was a blistering support set from Becky Taylor and Steve Lacey. I’ve been lucky enough to play with Becky in the past, so I know what a phenomenal musician she is. She was out of action until recently due to a medical problem affecting her hand, but I can report that she is now truly back on form. After struggling with a set of pipes that had developed a problem of their own, she plucked another set from the substitute’s bench and breathed life and fire into them. The duo line up with Steve Lacey works brilliantly – don’t miss out on seeing them if you get the opportunity.
https://beckytaylor.info
Also a shout out to BGR Events who put on these acoustic music shows at Wadsworth Community Centre. They’re a great example of a not-for-profit organisation that creates and promotes these events purely for the love of the music . They put on artists of the highest calibre throughout the year, so do check out their programme and get on their mailing list if you’re not already on it. https://bgrevents.weebly.com/about.html
Les Gillon is a musician, writer and academic based at UCLan. He’s worked as a guitarist, bassist, vocalist, composer and songwriter since the 1970s and has taught performance and composition to young musicians for over twenty years. He records and performs regularly in a variety of ensembles, playing types of music that range from experimental improvisation to traditional British folk music. This site features his current projects Fez, Fire Tower 4 and Ghost School.
Together with Professor Ewa Mazierska and Music Industry Consultant Tony Rigg he is a Co-Director of the Music Research @UCLan, which has published a series of edited collections on the future of the music industry and been involved in organising conferences featuring international panels of academics and industry professionals.
In addition to his research in the field of music, he also writes on aesthetics and the visual arts. His recent monograph The Uses of Reason in the Evaluation of Artworks: Commentaries on the Turner Prize (Palgrave, 2015) uses the Turner Prize as a case study, in order to explore fundamental questions about the nature, purpose and value of art. He is also active in practice-based music research that explores composition and improvisation techniques, the use of non-western music traditions and interdisciplinary collaborations with dance, moving image and spoken word practitioner.
Find out more about what Les gets up to at his website: https://lesgillon.org
Delighted to be supporting Gilmore & Roberts presented by BGR events at their Wadsworth Community Centre venue in Hebden Bridge where I shall be playing a few tunes on various sets of pipes and whistles, accompanied by Steve Lacey on guitar who may even be persuaded to do a song!
Gilmore & Roberts need no introduction, and you are assured of a good night in their company. But please come along and support the BGR Events series of concerts – they continually put on quality folk acts in a great venue, with a very reasonable bar, lovely food available and a great crowd who appreciate their music. On top of all this they raise a great deal of money for local charities. Great! ❤
Tonight I shall be playing and chatting with the rest of our new band ‘Atlas Bridge’ live on BBC Radio Leeds, The Durbervilles Folk and Roots Show at 8pm. Tune in live, or catch-up with the link here:
Just a short post as I need to do a spot of pipe-taming in preparation…
Post-session edit: perhaps I should have done some hair-taming too!
Here’s another new tune, from the forthcoming EP…
Here’s a new tune, from the forthcoming EP… more on that later!
It was great to get out to the Friday evening session at Todmorden Folk Festival which is on all weekend with a host of great acts, performers, musicians and dancers. What a good do!
Delighted to be a part of the ROOTS ALIVE concert on Saturday the 23rd March 2019. An afternoon performance of music with the Arts Live Folk Band following a series of workshops in March 2019 with the Irish Arts Foundation. Also featuring the Leeds Fiddle Folk Group!
When Colin Ross made my Boxwood 17-key chanter he asked me “do you really want a Bb key?” Apparently they are awkward to make and he was concerned that I wouldn’t make best use of it. I insisted that I did, because playing in G minor on the Northumbrian Smallpipes is one of my favourite keys for the instrument. My set is in ‘F’ which means this actually comes out in F minor when it’s played.
The sun is shining, the bees are buzzing (amazingly for February!) and so were the Northumbrian Smallpipes after some rather overdue ‘fettling’.
All piping (Uilleann, Northumbrian or otherwise) involves a certain amount of ‘fettling’ especially when the weather/seasons change, which can play havoc with your tuning if it happens suddenly and catches you unawares. Brass and metal work were polished, bores were oiled, bindings were re-hemped as required, and drone reeds tweaked, flicked and generally faffed with!
A day or two devoted to maintaining them every now and then is well worth the effort – you just have to be in the right mood to tackle the 17-key chanters with the polishing cloth…
Pictured above are my trusty Colin Ross Boxwood and brass 17-Key F set, and Andy May concert G chanter, and a lovely wee 16-Key G set by Dave McQuade in Blackwood and Nickel Silver. Both beautiful, but completely different beasts in tone and character. Dave McQuade taught me to play way back in the early 80’s so I am delighted and honoured to play a set that he has made.